Robert Fischer Movies

2017
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
02017HD
2015
Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
02015HD
2016
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
02016HD
2017
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
02017HD
2014
Touching Death: Alejandro Amenábar on 'Tesis'
Touching Death: Alejandro Amenábar on 'Tesis'
02014HD
2017
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
02017HD
2009
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
02009HD
2016
Outer Movement, Inner Movement
Outer Movement, Inner Movement
02016HD
1970
The Fury: A Location Journal
The Fury: A Location Journal
01970HD
2018
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
02018HD
2008
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
02008HD
2008
Working with Max Ophuls: Robert Christidès, Set Decorator
Working with Max Ophuls: Robert Christidès, Set Decorator
02008HD
2012
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
02012HD
2020
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
02020HD
2018
Life As It Is: Miloš Forman on Miloš Forman
Life As It Is: Miloš Forman on Miloš Forman
02018HD
2008
Working with Max Ophuls: Marc Frédérix, Assistant Decorator
Working with Max Ophuls: Marc Frédérix, Assistant Decorator
02008HD
2006
Men of Mystery
Men of Mystery
02006HD
2018
Dietrich Icon
Dietrich Icon
02018HD
2008
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
02008HD
2013
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
02013HD

Robert Fischer Movies

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'

Touching Death: Alejandro Amenábar on 'Tesis'

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

Outer Movement, Inner Movement

The Fury: A Location Journal

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Working with Max Ophuls: Robert Christidès, Set Decorator

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

Life As It Is: Miloš Forman on Miloš Forman

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

Men of Mystery

Dietrich Icon

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered